![]() ![]() Key artists on the roster (past and present): Tech N9ne, Big Scoob, Brotha Lynch Hung, MURS, Stevie Stone, Krizz Kaliko.Īn independent record label based in Lee’s Summit, Missouri, Strange Music has been the primary platform for artists who may not naturally fit in anywhere else. Kids See Ghosts – Kids See Ghosts (2018).Kid Cudi – Man on the Moon II: The Legend of Mr.Kid Cudi – Man on the Moon: The End of Day (2009).Consequence – Don’t Quit Your Day Job! (2007).Boasting an eclectic roster of lyricists, hit-makers, singers, and trappers, GOOD has always had a little something for all rap fans. Key artists on the roster (past and present): Kanye West, Pusha T, Common, Big Sean, Kid Cudi, Consequence.įounded in 2004 by Kanye West shortly after he dropped The College Dropout, GOOD Music has long been a shining beacon for artists outside of your usual gangsta rap tropes. ![]() As hip hop culture has transformed over the decades to become the dominant force in pop culture, many of these rap record labels have grown in important, becoming institutions in their own regard.įrom Death Row to Bad Boy, Def Jam to No Limit, Cash Money to Top Dawg, here are the top 15 greatest rap record labels of all time. Over the years, a new crop of record labels, all focused on dope hip hop music, would emerge, many of them founded by the very artists they were putting out. To a fan coming up in the era of Cardi or Tyler or Polo G or Playboi Carti, the golden age is now.Ever since Sugar Hill Records, one of the greatest rap record labels founded by Joe and Sylvia Robinson, put out “Rapper’s Delight” by The Sugarhill Gang in 1979, hip hop has evolved to become a commercial force in the music industry. One of the incredible things about hip-hop is that it evolves and expands faster than any other genre in music history. to Houston to Chicago, and beyond.Īs we dug and listened, we found ourselves a little less swayed by “golden age” mystique than we might’ve been had we done this list 10 or 15 years ago. and Rakim and others, through the gangsta era, the rise of the South, the ascendance of larger-than-life aughts superstars like Jay-Z and Kanye West and Nicki Minaj, and on and on into more recent moments like blog-rap, emo-rap, and drill, from New York to L.A. The result was a list that touches on every important moment in the genre’s evolution - from compilations that honor the music’s paleo old-school days, to its artistic flourishing in the late Eighties and early Nineties with Public Enemy, De La Soul, Eric B. ![]() When confronted with a choice between the third (or fourth or fifth) record by a classic artist (Outkast, for instance, or A Tribe Called Quest) and an album from an artist who would make the list more interesting (The Jacka or Saba or Camp Lo), we tended to go with the latter option. Relatedly, a list of hip-hop-adjacent albums from the worlds of dancehall or reggaeton or grime would be fun and fascinating, and something for us to revisit down the road. That’s one reason we limited our scope to English language hip-hop. But the history of rap LPs is so rich and varied, we were forced to make some painful choices - there are so many iconic artists with deep catalogs, so many constantly evolving sounds and regional scenes. Two hundred seems like an almost luxuriantly expansive number when you’re making an albums list, and in any other genre, maybe it would be.
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